Sewing - What The Red Herring - Page 5 Category
A mid-1790’s Outfit for a Jane Austen Tea, Part Two

A mid-1790’s Outfit for a Jane Austen Tea, Part Two

It’s time for the outer layers and accessories from my Jane Austen Tea 1790’s costume. Click through for pics including inspiration period fashion plates and extant garment photos. (You can see the underpinnings for this outfit here.)

A mid-1790’s Outfit for a Jane Austen Tea, Part One: the Underpinnings

A mid-1790’s Outfit for a Jane Austen Tea, Part One: the Underpinnings

I have been kind of quiet here lately, but I have been living my life behind the scenes, and one of the things I did was make a mid 1790’s outfit for a Birthday Tea for Jane Austen’s 249th Earthstrong.

It felt kind of serendipitous: I’d already bought some fabric and several period patterns and had just completed the first and arguably most intimidating piece, short stays, when I was invited to the tea.

It was just the motivation I needed for six weeks of paced sewing to create a look worthy of Jane Austen.

I used a combination of resources, which I link throughout, along with fitting and construction notes. And if you’re just here for the pictures, that’s fine, too.

Reversible Fungal Fibre Mood Irma Body Warmer

Reversible Fungal Fibre Mood Irma Body Warmer

Last fall, I made a quilted vest by hacking the former Kochi jacket pattern, now called the Luna Jacket, from Papercut Patterns. I made enough alterations that the collar was the only thing that looked like the original. I still wear it often, but for some reason, when I saw Geri In Stitches Fibre Mood Irma, it occurred to me that maybe I hadn’t achieved the holy grail of quilted vests yet.

Black Linen Wildwood Wrap Dress, with Obi Belt Options

Black Linen Wildwood Wrap Dress, with Obi Belt Options

The Sew House 7 Wildwood Wrap Dress has a LOT of pattern pieces. It took weeks of procrastination just to get my size traced onto pattern paper, and weeks again before I got around to marking and cutting the fabric. When I finally traced everything and got out my fabric, it took an entire day to cut out all the pieces interspersed with my other responsibilities.

Nearly everything is asymmetrical, meaning opposite sides have separate pieces. I marked everything with chalk to keep the pieces straight while I worked.

A Batik Gypsum Skirt

A Batik Gypsum Skirt

Recently I was on social media and saw a smiling woman modeling some clothing she’d made. The fabric was a fantastic print and she looked good.

Then I read her caption. It was a litany of all the ways the thing she’d made didn’t fit right, and that she’d recently taken it apart to make it into something else.