Earlier this week, I was dreading going to get two of my kids new passports. Getting a child’s passport is one of my least favorite jobs as an adult. I understand why the process has to be so tedious and regimented, but that doesn’t make it any easier.
I have been lectured more than once when I showed up for a passport application appointment missing some crucial piece of documentation. It put me right in the place of a disobedient child, feeling chastised and frustrated with myself for not doing better.
Last year, I wrote a couple of posts with books by Native authors for Indigenous People’s Month. This year, I want to share two Native American legends, a true story about a Native woman’s childhood at the turn of the last century, and a book featuring real Indigenous heroes who have accomplished great things throughout history.
The first day I wore this coat, I never saw how I looked in it. I gave my full length mirror to my teenage daughters and so shoulders-up is all I get anymore. I had my 13 year old daughter help me cut my hair into a mullet that morning, then I threw the jacket on over an all-black outfit. Even though I didn’t know how I looked, I FELT good in this thing I had made, with my badass hair, and I glided out the door to an appointment feeling like a boss.
I felt like I’d put the confidence on. People literally stopped and stared at me while I was out. I had that elusive special SOMEthing.
When it comes to “perfecting” patterns, it can be hard for me to leave well enough alone. I have so many ideas. I keep tweaking each iteration to make it EVEN BETTER than the last, at least in theory. I think watching Monty Python as a teenager further cemented the idea that a holy grail does exist.
This is my latest iteration of the Quest Vest. The remaining vestiges of the Fibre Mood Irma can be seen in the standing collar seam. You can see my first version here. I was definitely inspired by the #softapocalypse aesthetic.
Ever since I finished my rust-colored cloak, I’ve wanted to make a second, shorter one. It wasn’t till this fall that the fabric inspiration struck. When it did, I used the pattern from the book Costume Close-up, minus about ten inches of length, to make a second cloak over the course of two days.
I used a clearance wool blend I found online for $7/yard. The lining is my old favorite, shot cotton. I pieced the lining (mainly because I cut the lining for the hood too short). I prick stitched the lining in so that that the two layers of the cloak would move as one, something I didn’t do on the last cloak. I omitted the hand slits. With the shorter length, they didn’t seem necessary.
So in two paragraphs, I just told you everything you need to know about the cloak. So we’re going to talk about something else while I show you the pictures.
